Ave Maria

Transfert sur grès cérame
Exemplaire unique

• numéroté 1/1 et signé au dos du carreau
• dimension : 10cmx10cm
• date de création : juillet 2024
• œuvre envoyée avec soin par colissimo avec signature

• coût envoi France (avec signature) : 8 euros
• coût envoi EU (avec signature) : 15 euros (selection Belgium)
• coût envoi hors EU (avec signature) : 35 euros

• about : « AVE MARIA - Wounded Heart: Figures of Mary »

Series of photographs intertwining with material and/or graphic elements. The visual elements are laid out to project into an intimate space.

The body and organs as mediums and sources of creation. I explore the creative potential of the female body. My body is like a weapon of expression. Ritual body, blasphemous body, damaged, sutured body; a living body that ages. It immortalizes itself in photography. The body becomes the face, the universal identity of the wounds experienced by each other. It memorizes the scratches, the assaults of past, present, and future centuries. Thus, it transcends time.

The skin is painted, scratched, damaged. It bears witness to the passage of time. The assaults of the gesture mark the images.

Dialogue between reality and imagination: the intimate journal. An open wound to be closed through the prism of fiction; photography creates distance. It allows me to heal. For me, my photography is a form of intimate writing.
In this project, I commit to exploring the theme of women’s survival in a patriarchal world using photo- graphy as a means of expression. The photographs will be intimately linked to material and/or graphic elements, thus creating a visual space that delves into intimacy.

The body and organs will be the primary mediums and sources of creation. I will explore the creative potential of the female body, presenting it as a weapon of expression. My own body becomes the focal point of this exploration, embodying a ritualistic, blasphemous, damaged, and sutured form; a living body that ages and immortalizes itself in photography. By capturing these images, the body be- comes the face, the universal identity of the wounds experienced by each woman. It memorizes the scratches, the assaults of past, present, and future centuries, transcending time.

The skin is used as a canvas, painted, scratched, damaged, bearing witness to the relentless passage of time and the assaults of gesture. This dialectic between reality and imagination transforms into a visual intimate journal. The photographs become open wounds to be closed through the prism of fiction; the distance created by photography allows me to heal. For me, my photography is a form of intimate writing, a means of telling my story and transcending the trials I have faced as a woman in a patriarchal world.